In a move reminiscent of Ashcroft's coverup of Justice, Cuccinelli's coverup of Virtue is more that a simple act of modesty. As with all things linguistic and artistic, the secret lies in the codec. Try as we may to make codecs explicit, each one of carries a myriad of codecs for the most part unexamined . Sometimes we agree on a codec such as the alphabet used to write these words and the rules of spelling to form them, agreement on meaning is rare and fleeting. Obviously, you can make what you will of the juxtaposition of the Great Seal of Virginia and Cuccinelli's pin but I can't resist casting some hints about that which rattles in my mind.
Virtue is obviously female. Unlike the sports domain where some find it necessary to examine genitalia and endocrinology, the simple naked breast is enough for me. Tyranny is obviously male even though he is dressed in drag, he sports a bit of facial hair. Gender was on the mind of George Wythe and his colleagues as they deigned this seal.
Vanquished Tyranny holds a flaccid whip across his belly with his left hand and a broken chain with his right signifying the triumph of Virtue over Dominion. Virtue's spear points at the ground and the weapon in her right arm is sheathed.
Thanks to Sarah Palin, I am reminded of Shakespeare's "Julius Cesear". There must have been much fascination with Roman Republicanism. As one dictator is slain another waits in the wings and thus the reverse side of the seal is "Preservando" - preserving.
Cuccinelli's Virtue is not obviously female. The heart is armored, not just the breast. Tyranny is on his belly not his back. The sword is unsheathed, the spear partly raised, the whip is gone.
I'll leave you with Claire Braz-Valentine's letter to John Ashcroft. Perhaps someone will have the talent and time to do the same for Ken.
An Open Letter to John Ashcroft, Attorney General of the United States |
by Claire Braz-Valentine |
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|  Minnie Lou's Breast & John Ashcroft | On January 28, 2002, Attorney General John Ashcroft, announced that he spent $8000 of taxpayer's money for drapes to cover up the exposed breast of The Spirit of Justice, an 18ft aluminum statue of a woman that stands in the Hall of Justice. John, John, John, you've got your priorities all wrong. While men fly airplanes into skyscrapers, dive bomb the pentagon, while they stick explosives into their shoes, and then book a seat right next to us, while they hide knives in their luggage, steal kids on school buses, take little girls from their beds at night drive trucks into our state capital buildings, while our president calls dangerous men all over the world evildoers and devils, while we live in the threat of biological warfare nuclear destruction, annihilation, you are out buying yardage to save Americans from the appalling alarming, abominable aluminum alloy of evil, that terrible ten foot tin tittie. You might not be able to find Bin Laden But you sure as hell found the hooter in the hall of justice. It's not that we aren't grateful But while we were begging the women of Afghanistan To not cover up their faces You are begging your staff members to Just cover up that nipple To save the American people From that monstrous metal mammary How can we ever thank you? So, in your office every morning in your secret prayer meeting while an American woman is sexually assaulted every 6 seconds while anthrax floats around the post office and settles in the chest of senior citizens, you've got another chest on your mind. While American sons arrive home in body bags and heat seeking missiles fly around a foreign country looking for any warm body you think of another body. And you pray for the biggest bra in the world John because you see that breast on the spirit of justice in the spirit of your own inhibited sexuality. And when we women see our grandmothers, our mothers, our daughters, our granddaughters, our sisters, ourselves, when we women see that statue the spirit of justice we see the spirit of strength the spirit of survival. While every day we view innocent bodies dragged out of rubble and women and children laid out like thin limp dolls and baptized into death as collateral damage and the hollow eyed Afghani mother's milk has dried up underneath her burka in famine in shame and her children are dead at her breast. While you look at that breast John that jug on the spirit of justice and deal with your thoughts of lust and sex and nakedness we see it as a testimony motherhood And you see it as a tit. It's not the money it cost. It's the message you send. We've got the right to live in freedom. We got the right to cheat Americans out of millions of dollars and then just not want to tell congress about it. We've got the right to drop bombs night and day on a small country that has no army, no navy, no military at all, because we've got the right to bear arms but we just better not even think about not the right to bare breasts. So now John you can be photographed while you stand there and talk about guns and bombs and poisons without the breast appearing over your right shoulder without that bodacious bosom bothering you and we just wanted to tell you in the spirit of justice in the spirit of truth John there is still one very big boob left standing there in that picture. Claire Braz-Valentine is a widely published, award-winning and internationally produced poet, playwright, and journalist. http://homepage.mac.com/clairebraz/ Copyright 2002 Claire Braz-Valentine |